I shall examine how Damisch's entwining of phenomenology and structuralism, as a model for October that helped it revise its understanding of painting and for rethinking the relationship between art history and art criticism. October was at the forefront of the critique against painting during the early 1980s, but the publication of 'Painting as model' suggests a sea change in the journal. You may obtain better results by changing your search criteria, using our search. This paper argues that Damisch's writings and Bois' essay serves as a crux for the October journal. Although best known as a specialist in Renaissance art, the essays of Fenetre show how Damisch's distinct art-theoretical project emerges from his early writings on modernist and post-war painting, phenomenology and structuralism. If you are interested in this option, please contact our office.Abstract : While most of Hubert Damisch's major books have been made available in English since the publication of Yve-Alain Bois' review essay 'Painting as model', it nonetheless remains a shame that Fenetre Jaune Cadmium (Damisch 1984)-the subject of Bois' review-has not been translated. Offert principalement en bois, en aluminium, en vinyle, en fibre de.
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